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24 April, 2014

In Indian Culture Why do we do Rangoli?








In Indian Culture
Why do we do Rangoli? - Ushering in Auspiciousness


       Traditionally done by woman on the forecourt of a house, courtyard, in the corner of a room, or before the image of a deity, Rangoli is a colourful pattern of lines, flowers and sacred motifs prevalent in Indian tradition.  It is the Indian way of ushering in auspiciousness  signifying an attitude of welcome to a house.  It is a symbol of purifying and sanctifying the place of one's living, warding off all evil influences.  Rangoli is also used to indicate that the lady of the house is ready to receive visitors.




Rangoli - Different Name in different provinces of India


       Rangoli has different names in different provinces of India such as Chowkpurna or Purna in Uttar Pradesh, Alikhthap in Kumaon, Mandana in Rajasthan, Aripan in Bihar, Alpana in Bengal, Rangavallie in Maharashtra, Kolam in Tamil Nadu and Kerala, Muggu in Andhra Pradesh and Saathiya in Gujarat.


      In many places it is a daily morning practice to draw a Rangoli, while in some it is mostly done on social gatherings, religious events or festivals.  It is considered a part of the 'spirit of festivity' (utsav-dharmita), adding a sense of celebration and refinement to life.




How Rangoli patterns are created?


       The patterns are created using the rice powder, coloured rice, dry flour, coloured sand, sindoor (vermilion), haldi (turmeric) or flower petals.  Chalk powder, stone powder or chemical colours are modern variations of the material used for Rangoli.


Rangoli Designs


       Rangoli designs are done using simple geometrical shapes, outlines of the form or symbol of a deity, or flower and petal shapes.  An expression of bringing good luck, Rangoli designs reflect traditions  folklore and practices that are unique to each area.  Swastika, lotus flower, leaves, circles, steps of Lakshmi (the goddess of wealth and auspiciousness) and other similar auspicious motifs and symbols are used in Rangoli patterns.  A Rangoli may be done using wet or dry colour powder.




     Preparing a Rangoli is an ancient art practice rooted in religious lore and a spiritual world-view to life. Rangoli finds mention in traditions related to Ramayana, Mahabharata and lives of saints.  It is a visible manifestation of man's desire to spiritualize the daily activities and sanctify the ambience in which he lives.  






10 April, 2014

In Indian Culture Why do we do super brain yoga?





In Indian Culture
Why do we do super brain yoga or thoppukaranam?

       It has been Indian tradition to start our day by praying Lord Ganesha, doing our regular practice of super brain yoga or thoppukaranam in Tamil.  What we do for thousands of years is now rediscovered in the name of  "Super Brain Yoga" by the West.

      Super Brain Yoga helps to balance the left and right brain of a human being.  As we know the left brain is for Logical reasoning and the right brain takes decision based on emotions / intuitions.  For a healthy balanced life the working of both sides of the brain should be balanced and this is exactly achieved by super brain yoga or thoppukaranam.



Why do it for Lord Ganesha?


      As per Indian tradition, Lord Ganesha is the First God we pray to start any activity and to start anything better, you need to have the balanced approach.  We obtain it by doing this simple exercise called super brain yoga or thoppukaranam.


      Remember, super brain yoga or thoppukaranam used to be the punishment in school days.  It is a thoughtful punishment, I would not call it a punishment rather correction after knowing the meaning and effect of super brain yoga.  Any mistake is done by improper functioning of brain, either it is not active or we make it inactive.  Thus super brain yoga or thoppukaranam was made a punishment in olden days to reactivate the brain.


      It is interesting to know Master Choa Kok Sui's Institute for Inner Studies at Manila has the patent for this.  He is the modern founder of Pranic healing.  For what we Indian know for generations after generations there is someone else who can claim a patent.
   
      In today's world, lack of concentration is very common challenge, not only among children, but also among adults.  There is an ancient technique, which has been incorporated as a ritual, as a part of daily worship by a section of people in our nation, which will go a long way in answering this challenge.  This simple technique, which can also be classified under pranic healing, can be learnt very easily and practiced by anyone, anywhere.  


       Educationalists and psychologists teach this technique to children for improving academic performance.  Health professionals use this technique to enhance the activity of the brain.  Sports professionals and artistes also find this technique effective in improving general brain activity, motor skills and reaction time.  This simple sit up exercises is called as thoppukaranam in Tamil.  Performing thoppukaranam is easy.



Techniques

       Stand facing east, preferably in the morning (at the time of sunrise).  Hold your right ear lobe with your left index finger and thumb.  Hold your left ear lobe with your right index finger and thumb.  Ensure that your thumbs touch the backside of the  earlobes.  While you continue to hold the ear lobes, press your tongue to the palate of your mouth.  Inhale through your nose and slowly go down into a squatting position.  Hold your breath.  Do not exhale until you start making your way back up to the standing position.  Continue holding your lobes and sticking your tongue to the palate of your mouth.




       Perform this technique 14 to 21 times; i.e., in multiples of 7.  One may not see the difference immediately.  But after the regular practice for a few weeks one can notice improvement in concentration levels.


Benefits

       Holding the ear lobes is actually an  acupressure  technique which will activate both the hemispheres of the brain. Pressing the palate of the mouth will complete the cycle of energy flow.  The squatting position, along with breathing will activate both the basic and sex chakras and also allow upward flow of life energy, especially to both the hemisphere of the brain.


       In the West this is called as super brain yoga and several doctors suggest that this simple technique energises brain cells and neurons. It is also reported that Dr. Eugenius Ang, a neurobiologist at Yale has been widely endorsing this technique and prescribed for patients with Alzheimer's and children with autism and Attention Deficit Hyperactivity Disorder.

       Make your children perform this technique on a daily basis.  In fact you too can join them.  Regular practice of thoppukaranam or super brain yoga will definitely make a significant difference in concentration.

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Source: An article published in "Infinitheism" Magazine written by J.Vijayalakshmi
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19 March, 2014

In Indian Culture Why do we do namaste or greet each other?





In Indian Culture
Why do we do namaste?


       Indians greet each other with namaste.  The two palms are placed together in front of the chest and the head bows whilst saying the word namaste.  This greeting is for all -- people younger than us, of our own age, those older than us, friends and even strangers.

       There are five forms of formal traditional greeting enjoined in the shastras or scriptures of which namaskaram is one.  This is understood as prostration but it actually refers to paying homage as we do today when we greet each other with a namaste.

     Folding hands together with a smile to greet, Namaste is a common cultural practice in India.  Namaste or Namaskar or Namaskaram is a common verbal salutation in India.  It is a customary greeting when one meets or takes leave of others.

     While saying Namaste, one commonly does this by slight bow made with hands pressed together, palms touching and fingers pointed upwards, infront of the chest.  It can also be done without words and carries the same meaning.


      Each palm represents the separate individuality.  Each palm supports the five fingers.  Similarly, each personality has five sheaths called the five kosas.  The five different parts of the personality are called pancakosas, five sheaths.

       They are: [1] annamayakosa food sheath, [2] pranamayakosa vital-air sheath [3] manomayakosa mental sheath, [4] vijnanamayakosa intellectual sheath and [5] anandamayakosa bliss sheath.  These five sheaths are supported by the Atman, the supreme Self which is the eternal Reality.  The five sheaths are different from individual to individual but the Reality that supports them all is one and the same in all individualities.  This truth is declared when the Hindus greet each other with namaskara.  The two palms joined together as one indicates that the Reality or Atman in both is one and the same.  To this unifying Infinite Atman the Hindus bows in the reverence when he does namaskara.


Why do we do namaste?


       Namaste could be just a casual or formal greeting, a cultural convention or an act of worship.  However there is much more to it than meets the eye.



      Namaste is derived from Sanskrit word "namah + te = namaste".  Namah means 'bow', 'obeisance', 'reverential salutation' or 'adoration' and te means 'to you' (dative case of 'you').  It means -- I bow to you -- my greetings, salutations or prostration to you.  Namaha can also be literally interpreted as 'na ma' (not mine).    It has a spiritual significance of negating or reducing one's ego in the presence of another.

     The real meeting between people is the meeting of their minds.  When we greet another, we do so with namaste, which means, "may our minds meet," indicated by the folded palms placed before the chest.  The bowing down of the head is a gracious form of extending friendship in love and humility.


Spiritual meaning of Namaste


       The spiritual meaning is even deeper.  The life force, the divinity, the Self or the Lord in me is the same in all.  Recognising this oneness with the meeting of the palms, we salute with head bowed the Divinity in the person we meet.  That is why sometimes, we close our eyes as we do namaste to a revered person or the Lord - as if to look within.  The gesture is often accompanied by words like "Ram Ram", "Jai Shri Krishna", "Namo Narayana", "Jai Siya Ram", "Om Shanthi" etc. - indicating the recognition of this divinity.

       When we know this significance, our greeting does not remain just a superficial gesture or word but paves the way for a deeper communion with another in an atmosphere of love and respect.

       Namaste is also a friendly greeting in written communication.  When the hand position is higher, it usually means reverence and / or worship.  The expression with hands placed on top of one's head is usually the sign of utmost reverence or respect.  The gesture Namaste represents and acknowledges the belief that there is a Divine spark within each of us.  Hence, Namaste means, 'I bow to you' or 'the divine within me greets the divine in you'.  The gesture is widely used throughout Asia and beyond.  It appears in c.4000 years ago on the clay seals of the Indus Valley Civilization.

     There are different ways of doing namasste or greeting each other in other langues prevalent in India.

Telugu


     In Telugu, the gesture is known as Namaskaramulu or simply Namaskaram.

Tamil


     In Tamil, it is known as kumbidu, à®•ுà®®்பிடு which is composed of kumbu meaning 'to cup hands' and idu, 'to do'.  Vanakkam, வணக்கம் in Tamil too,  means the same.  

Kannada


     In Kannada, the gesture is known as Namaskara.  

Japan


     In Japan, the Namaste hand gesture is used in prayer and healing sessions and is called Gassho.

Sri Lanka


     Namaste is also in vogue in Sri Lanka and Nepalese cultures.  

Sikhs


     Sikhs also fold their hand as in Namaste, but their greeting is Sat Sri Akal.


Another way of Greeting


      Another way of greeting common in India is pranam or charana-sparsh, the touching of elder's feet.  It is an act of showing respect.  When greeting, children touch the feet of their elders in the family while people of all ages will bend to touch the feet of a great guru, murti or icon of a God or goddess.


Pranam in the way of Ashtanga


     One can do Pranam in the way of Ashtanga (touching the ground with knees, belly, chest, hands, elbows, chin, nose, temple) or Bhumishtha (bowing forehead down and touching the ground.  There are, however, many variations in offering pranam depending upon one's health, availability of time and other factors.

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Sources: 
1] Excerpts from the book on "In Indian Culture Why do we.." written by Swamini Vimalananda and Radhika Krishnakumar.
2] Excerpts from the book on "Indian Culture" published by Sri Ramakrishna Math.
3] The Symbolism of Hindu Gods and Rituals by Swami A.Parthasarathy
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06 March, 2014

Ahimsa - अहिंसा - Harmlessness



Introduction


      Practice of Ahimsa develops love.  Ahimsa is another name for truth or love.  Ahimsa is universal love.  It is pure love.  It is divine prem.  Where there is love, there you will find Ahimsa.  When there is Ahimsa, there you will find love and selfless service.  They all go together.

     The one message of all saints and prophets of all times and climes, is the message of love, of Ahimsa, of selfless service.  Ahimsa is the noblest and best of traits that are found expressed in the daily life and activities of perfected souls.  Ahimsa is the one means, not only to attain Salvation, but also to enjoy uninterrupted peace and bliss.  Man attains peace by injuring no living creature.

     There is one religion - the religion of love, of peace.  There is one message, the message of Ahimsa.  Ahimsa is supreme duty of man.




Meaning of Ahimsa - à¤…हिंसा - Harmlessness

   
       Ahimsa - à¤…हिंसा comes from the Sanskrit verb hims -  à¤¹िंस - which  means 'to hurt, injure or cause harm.'  Ahimsa - à¤…हिंसाwhich means 'non-injury or harmlessness,' reflects my inherent desire to live free from hurt or pain or threat of any sort.  Event thoughts can cause pain.  If I know that someone holds hurtful thoughts about me, although these thoughts are not expressed in deeds or words, I am hurt.  Ahimsa - à¤…हिंसा - means not causing harm by any means: by deeds, by words and by thoughts.



Why should I not hurt other beings?


       Because I do not want to be hurt.  Common sense ethics dictate that I cannot do to another what I do not want to be done to me.  So ahimsaअहिंसा - non-injury, becomes a value for me.  Ahimsa is simple common sense dharma, confirmed by the Vedas and by all scriptures but subject to interpretation.  If an act literally injurious is meant for the benefit of another, such as the cut of the surgeon's knife, it is not himsa -हिंसा. 

Vegetarianism:  Expression of Ahimsa


       Vegetarianism is an example of the application of the value for ahimsa.  Many arguments in favour of vegetarian diet can be made, but the basic argument supporting non-flesh eating is simply ahimsa.  In India, where there are more vegetarians than anywhere else in the world, vegetarianism is squarely based on the the Vedic mandate:

Himsam na kuryat:  Do not do harm!


       Why is more himsa - à¤¹िंसा involved in eating an egg than an egg plant?  or a steak than a pumpkin?  Every life-form requires food of some kind.  One life-form feeds upon another.  What is tragedy to the bird is dinner to the cat.  This being the case, why should not human being also eat meat?  Because the human being is not in the same choiceless category as the canary-eating cat, he cannot use the cat's example for his justification.  For the cat and other non human life-forms, choosing what to have for dinner is no problem.  They select their proper food by instinct.  They come pre-programmed, knowing their proper menu; they need only locate it.  This is not so with the human being whose self-consciousness brings into play a will free to choose many means to achieve life's ends, including the basic need, food.  Being not pre-programmed, the human must choose the kind of food he eats.

Some arguments


      Several arguments other than ahimsa - à¤¹िंसा are offered to support the position that vegetarianism is a better diet than meat-eating.  There is evidence that human dental and digestive systems are more suitable for a fruit-grain vegetable diet than for meat.  There is statistical evidence that vegetarians, such as the Seventh Day, Adventists, have fewer degenerative diseases and live longer, enjoying a more vigorous old age, than do their meat-eating neighbours.  However, persuasive these arguments may be, the fundamental argument in favour of vegetarianism still is found in the value for ahimsa.

All creatures seek to live harm-free


       It is plain to see that all living beings have a value for life.  Anything alive tries to stay alive, plants and very simple life forms included.  However, it is also plain that all beings do not seem to have the same relative level of awareness of life, the same conscious ability to perceive threats to life or struggle to preserve life.  Creatures in the animal kingdom are closer than plants to the human being in awareness of threats to life and in their struggle to stay alive.  Animals, birds, fish -- all mobile creatures--run away from me when they know I am trying to catch them for the stew pot.  When I do catch them, they struggle and cry.  Therefore, I cannot but know that they do not want to be hurt, that they want to live.  No mobile creature wants to be my dinner.


Plant Food:  The Relational/Ethical choice for Human diet

  
     In view of the research indicating that a balanced vegetarian diet is a complete and healthful, the use of meat in my diet cannot be justified on the basis of nutritional need.  If I choose to eat meat, that choice must be put simply on the grounds of a preference on my part.  To fulfill a preference is a fine, if there is no overriding ethical reason for not fulfilling it.  In the case of meat-eating there is a strong common sense ethical reason for not fulfiling such a preference, if it exists.

     Since I do not want to be an animal's dinner, I should not make an animal my dinner.  Plant food, rather than meat, is the choice because: many plants seem designed to give up their produce as food for other life-forms without surrendering their own lives, and even when the usage does destroy the plant, plants would appear to have less conscious appreciation of the threat or fact of harm to themselves than do animals.

       If I insist upon including meat in my diet, to raise such a decision to ethical status, I would have to put myself on the same basis as other carnivorous animals.  To be on the same basis I should hunt and kill my prey bare handed without the assistance of weapons, thus exposing myself to the responsibility of being 'someone's dinner while seeking other creatures for my dinner, if I am not willing to do this, use animals for food will be unethical, conflicting with my half-value for non-injury.  That I have such a half value is revealed by my failure to risk the possibility of suffering the same result.

Ahimsa requires Sensitivity and Alertness


      The value for ahimsa non-injury requires daily alertness and sensitivity in all areas of my life.  It is a value that finds expression in my attitude towards plants as well as towards human beings and animals.  Wanton destruction of plant life indicates a lack of sensitivity for the value of ahimsa.  Ahimsa is a value for non-destruction or damage to any part of creation--a creation of which I, too, am a part.  Plant I do not casually crush, strip, uproot, or cut down.  With regard to my fellow human beings, I watch for those words or acts or even thoughts which may be hurtful.  I develop a finer appreciation for the feelings of others.  I come to see beyond my own needs to the needs of those around me.  I treat all things and beings with sensitivity and appreciation of their common existence with me.

     With such an attitude I become an alert, observant person with a sensitive saintly mind which is ready to hear and appreciate the truth of Vedanta.  Ahimsa is an important value among the values that constitute the jnanam for gaining Self-knowledge.


Avoiding meat eating


       Avoid non-vegetarian food leads to 'Ahimsa'अहिंसा.  Killing animal bodies in order to grow our human body becomes 'Himsa' - à¤¹िंसा.  We might get a doubt at this stage.  "Even, when one takes vegetarian food, the bodies of trees, creepers, vegetables, and fruits being destroyed.  Plants are also living beings.  In this case also killing of living beings is not being avoided.  Such being the case, how does killing of animal bodies alone tantamount to 'Himsa' - à¤¹िंसा ?

In our life situations arise, at times, when we have to perforce select one among two difficult alternatives. And we too select the alternative that results in lesser damage or difficulty. For example, when we are affected by sickness, we have the situation of having to take some medicines and get cured. If we don’t take the medicine, the effect would be major. But, when we take the medicine, we are affected by the side effects. Between these alternatives, we opt for the alternativof taking the medicines, despite having to experience the side effects. Otherwise, we would be affected to a greater extent.

In a similar manner, the 'Himsa' - à¤¹िंसा, caused to the plants when we take vegetarian food is of a lesser degree than the 'Himsa', caused to animals if we were to take non-vegetarian food.  When we kill the animals, they feel great pain and sorrow.  Plants, whose organs are less developed, do not experience and express such paint.  Thereby, opting for lesser for a lesser 'Himsa' between the two unavoidable 'Himsa' becomes 'Ahimsa'.  We are able to perceive the sorrow and pain of animals.  Plants do not experience pain and sorrow to that extent.  

       Like humans, animals have five sensory organs, namely, body [touch], mouth [taste], eyes [sight], nose [smell] and ears [sound].  Beings such as snake have four senses.  Certain other living beings have three or two senses.  Plants have only single sense.  As the number of senses increase, the experience of pleasure and pain increases.  When we use plants that have only a single sense as our food, the inflicted pain and sorrow is lower.  If we were to take the bodies of animals, which have five senses like us, as our food the sorrow and pain which are inflicted are maximum.

Moreover, human body could survive and live well with just vegetarian food.  When the possibility to be able to live with just vegetarian food is available, utilising such an opportunity is 'Ahimsa'.  Animals such as the lion and the tiger have not been given the opportunity or choice of surviving with vegetarian food.  Such mild animals do not acquire sin or papam by their taking meat. 

Animals such as goats and cows are created such that they could take only vegetarian food.  They do not opt for vegetarian food by their choice.  Thereby, they do not require 'punyam' or meritorious deeds by taking vegetarian food.  But man, has been given the choice of freewill to do either 'punyam' or sin 'papam'.  Avoiding sin 'papam' is indeed 'Ahimsa'.

Thus, avoiding non-vegetarian food is pursuing 'Ahimsa'.

Subtle forms of Himsa - à¤¹िंसा   


       Only the ordinary people think that Ahimsaअहिंसा is not to hurt any living being physically.  This is but the gross form of Ahimsa.  All harsh and rude speech is Himsaहिंसा (violence or injury).  Using harsh words to beggars, servants or inferiors is Himsa.  Wounding the feelings of others by gesture, expression, tone of voice and unkind words is also Himsa.  It is the sin of omission.  Avoid strictly all forms of harshness, direct or indirect, positive or negative, immediate or delayed.  Practice of Ahimsa in its purest form and become divine.  Ahimsa and Divinity are one.



Ahimsa, a quality of the Strong  


       If you practice Ahimsa, you should put up with insults, rebukes, criticisms and assaults also.  You should never retaliate nor wish to offend anybody even under extreme provocation.  You should not entertain any evil thought against anybody.  You should not harbour anger.  You should not curse.  You should be prepared to lose joyfully even your life in the cause of Truth.  The ultimate truth can be attained only through Ahimsa.

       Ahimsa is the acme of bravery.  Ahimsa is not possible without fearlessness.  Non-violence cannot be practised by weak persons.  Ahimsa cannot be practiced by a man who is terribly afraid of death and has no power of resistance and endurance.  It is a shield, not of the eliminate, but of the potent.  Ahimsa is a quality of the strong.  It is a weapon of the strong.   


Gradational practice of Ahimsa


     When thoughts of revenge and hatred arise in the mind, try to control the physical body and speech first.  Do not utter evil and harsh words.  Do not censure.  Do not try to injure others.  If you succeed in this by practice for some months, the negative thoughts of revenge, having no scope for manifesting outside, will die by themselves.  It extremely difficult to control such thought from the very beginning without having recourse to control of the body and speech first.


First control your physical body


       When a man beats you, keep quiet.  Suppress your feelings.  Follow the instructions of Jesus Christ in his Sermon On the Mount:  "If a man beats you on one cheek, turn to him the other cheek also.  If a man takes away your coat, give him your shirt also."  This is very difficult in the beginning.  The old Samskaras (impressions) of revenge, of "a tooth for a tooth", "tit for tat", "an eye for an eye", and "paying in the same coin" will all force you to retaliate.  But you will have to wait coolly.  Reflect and meditate.  Do vichara or right enquiry.  The mind will become calm.  The opponent who was very furious will also become calm, because he does not get any opposition from your side.  He gets astonished and terrified also, because you stand like a sage.  By and by, you will gain immense strength.  Keep the ideal before you.  Try to get at it, though with faltering steps at first.  Have a clear-cut mental image of Ahimsa and its immeasurable advantage.  


Secondly control your speech


      After controlling the body, control your speech.  Make a strong determination, "I will not speak any harsh word to anybody from today."  You may fail a hundred times.  When does it matter?  You will slowly gain strength.  Check the impulse of speech.  Observe Mouna (silence).  Practice kshama or forgiveness.  Say within yourself:  "He is a baby-soul.  He is ignorant, that is why he has done it.  Let me excuse him this time.  What do I gain by abusing him in return."  Slowly give up Abhimana (ego-centered attachment).  Abhimana is the root cause of human sufferings.

Thirdly check your thought


     Finally go to the thoughts and check the thought of injuring.  Never even think of injuring anyone.  One Self dwells in all.  All are manifestations of One God.  By injuring another, you injure your own Self.  By serving another, you serve your own Self.  Love all.  Serve all.  Hate none.  Insult none.  Injure none in thought, word and deed.  Try to behold your own Self in all beings.  This will promote Ahimsa.


Benefits of the practice of Ahimsa


     If you are established in Ahimsa, you have attained all virtues.  Ahimsa is the pivot.  All virtues revolve around Ahimsa.  Just as all footprints are accommodated in those of the elephant, so also do all religions and ethical rules rules become merged in the great vow of Ahimsa.

      Ahimsa is a soul-force.  Hate melts in the presence of love.  Hate dissolves in the presence of Ahimsa.  There is no power greater than Ahimsa.  The practice of Ahimsa develops will-power to a considerable degree.  The practice of Ahimsa will make you fearless.  He who practices Ahimsa with real faith, can move the whole world, can tame wild animals, can win the hearts of all, and can subdue his enemies.  He can do and undo things.  The power of Ahimsa is infinitely more wonderful and subtler than electricity or magnetism.

       The law of Ahimsa is as much exact and precise as the law of gravitation or cohesion.  You must know the correct way to apply it intelligently and with scientific accuracy.  If you are able to apply it with exactitude and precision, you can work wonders.  You can command the elements and nature also.


The Power of Ahimsa


     The power of Ahimsa is greater than the power of the intellect.  It is easy to develop the intellect, but it is difficult to purify and develop the heart.  The practice of Ahimsa develops the heart in a wonderful manner.

      He who practices Ahimsa develops strong will-power.  In his presence, enmity ceases.  In his presence, cobra and frog, cow and tiger, cat and rat, wolf and lamb, will all live together in terms of intimate friendship.  In his presence, all hostilities are given-up.  The term 'hostilities are given up' means that all beings - men, animals, birds and poisonous creatures will approach the practitioner without fear and do not harm to him.  Their hostile nature disappears in them in his presence.  The rat and cat, the snake and the mongoose and other beings that are enemies of each other by nature, give up their hostile feelings in the presence of the Yogi who is established in Ahimsa.  Lions and tigers can never do any harm to such a Yogi.  Such a Yogi can give definite orders to lion and tigers.  They will obey.  This is Bhuta-Siddhi (mastery over the elements) obtainable by the practice of Ahimsa.  The practice of Ahimsa will eventually culminate in the realization of unity and oneness of life, or Advaitic (non-dual) consciousness.  The Yogi then enjoys the highest peace, bliss and immorality.

Limitation to the practice of Ahimsa 


       Absolute Ahimsa is impossible.  It is not possible to the most conscientious Sanyyasin or monk.  To practice that, you must avoid killing countless creatures while walking, sitting, eating, breathing, sleeping and drinking.  You cannot find a single non-injurer in the world.  You have to destroy life in order to live.  It is physically impossible for you to obey the law of non-destruction of life, because phagocytes of your blood also are destroying millions of dangerous intrusive spirilla, bacteria and germs.

      According to one school of thought, if by the murder of a decoit many lives are saved, it is not considered as Himsa.  Ahimsa and Himsa are relative terms.  Some say that one can defend oneself with instruments and use a little violence also when one is in danger; this is not considered to be Himsa.  Westeners generally destroy their dear horses and dogs when they are in acute agony and when there is no way of relieving their sufferings.  They wish that the soul should be immediately freed from the physical body.  Motive is the chief factor that underlies everything.

A Universal Vow


      Ahimsa is a Mahavratam or "great universal vow".  It should be practiced by all people of all countries.  It does not concern the Hindus or Indians alone.  Whoever wishes to realize the Truth must practice Ahimsa.  You may encounter any amount of difficulties; you may sustain any amount of losses, but you must not give up the practice of Ahimsa.  Trial and difficulties are bound to come in your way to test your strength.  You should stand adamant.  Then alone will your efforts be crowned with sanguine success.

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Sources:
1] Excerpts from the book on "THE VALUE OF VALUES" by Swami Dayananda 
2] Excerpts from the book on VALUES (ETHICS) by Swami Guruparananda
3] An article by Swami Sivananda
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16 February, 2014

7 Secrets from Hindu Calendar Art - Narayana's Secret


Image 2.6 - Baby on a banyan leaf


The peacock feather links Vishnu to Krishna, who usually sports the feather.

The lotus flower indicates renewal.

The peacock feather informs the devotee not to distinguish between Vishnu & Krishna.

The banyan leaf indicates permanence.

The Waters indicate destruction as it dissolves all things material when their time is up.

Baby on a banyan leaf


       Image 2.6 shows a newborn child on a banyan leaf.  Once, a sage called Markandeya was granted a glimpse of Pralaya, the end of the world.  This vision was marked by heavy rains and waves rising to consume the earth, until everything was submerged Water, especially the sea, represents formlessness.  It is the symbol of entropy, dissolution.  How does one visualise nothingness in art?  Which form represents formlessness?  One does it by showing the sea.  A stormy sea shows the process of destruction while a still sea shows the moment before rebirth.

       The sight of the dying world filled Markandeya with dread and despair.  It was then he heard a gurgling happy sound.  He turned around and found a baby lying on a banyan leaf, cradled by the waves of destruction.  A baby is the symbol of rebirth or renewal of life.  Markandeya saw the baby and realised that what one considers the end is actually just a phase, a part of the process; after the end comes the beginning.  This is fundamentally different from Greek and Biblical worldview, where death is a full-stop.  In the Hindu world view, death is a comma; there is no full-stop.

       That the baby is lying on the leaf of a banyan tree is significant.  The banyan tree is believed to be immortal; it represents that which cannot be destroyed.  What cannot be destroyed even when all forms dissolve to become formless?  It is the soul.  Thus the baby is cradled by the soul.  Markandeya is being told that the indestructible soul is witnessing the end of the world dispassionately.  It may seem cruel and uncaring as it whips up the malignant storm, but when the waters calm, the soul will rest and re-merge in innocence like a gurgling baby.

       The banyan leaf lies within a lotus.  The flower is the lotus of Brahma, that which blooms when Narayana awakens.  Thus, the image simultaneously captures death (water) and rebirth (leaf and flower).

Image 2.7 Baby Narayan sucking his right toe


The right side indicates spiritual stillness, as against the left side with the beating heart, which symbolises material restlessness.

The sucking of the right toe indicates the value given to things spiritual (right side) and to things material (lower body)

The lower body represents matter while the upper body represents the spirit.


       The baby in the image 2.7 holds a flute in his right hand and his right big toe with his left hand.  The right side in Indian art represents the soul and intellect because the left side, with the beating heart, represents movement, hence matter and emotions.  By holding the right toe with the left hand, God is connecting the spiritual with the material, the intellectual with the emotional, all the while making music with the flute, indicating a playful approach to life.  The world exists to be enjoyed and explored by the soul in the spirit of play.  The infant form of God conveys both innocence and the idea of material renewal.

      In Hindu belief, the soul is permanent and ever present.  But, it is beyond form; how then does one represent it in art?  One has no choice but to take recourse to form.  Any form will be imperfect and incomplete.  Typically, the soul is visualised as male, and in Images 2.6 and 2.7, as a baby.  Both these forms are inherently flawed.  However, we have no choice but to use imperfect forms to communicate a perfect truth.

Image 2.8 - Death of HIranakashipu

God as a man-lion disemboweling the Asura who thought he could outwit death.

Death of Hiranakashipu

       Image 2.8 is based on a story that draws attention to the nature of the soul.  The story comes from the Vishnu Purana, the lore of Vishnu, and speaks of a conflict between father and son.  The father, whose name is Hirankashipu, believes he is immortal because he has secured a boon that prevents him from being killed by any human or any animal, any god or any demon, by a weapon or a tool, inside any dwelling or outside, above the ground of under it, during the day or the night.  Since he considers himself immortal, Hiranakashipu is convinced he is a God, worthy of worship.  But his son, Prahalad, believes his father is mortal; he insists that he will only worship Narayan, the formless, timeless, omnipresence God.

       'Where is this Narayan present?' asks the father.

       'Every where, ' says the son, 'even in the pillars of your palace.'

       To prove his son wrong once and for all, Hiranakashipu breaks down a palace pillar.  We can see it in the background - a vertically split pillar.

      From this pillar emerges a fantastic creature called Narasimha, part lion and part human.  This creature crosses the boundary between the animal and the human world.  It emerges from the realm of impossibility, breaking all boundaries, challenging our notions of what is normal and what is not.  Narasimha is God, he is a form of Narayan.  One is being told that what is impossible for the human mind to conceive exists in the mind of God.  Hiranakashipu is blinded by power and assumes he knows the ends of the world.  But God makes the impossible possible.  God appears as a creature that Hiranakashipu believes is unnatural, hence non-existent.  Narasimha is supposed to be a god but evokes fear like a monster, hence seems demonic.  He is neither god nor demon, or both, may be, for father and son.

       This creature, neither man nor animal, or perhaps one who is both, drags Hiranakashipu to the threshold of the palace - neither inside a dwelling or outside.  There, at a twilight, which is neither day nor night, he places Hiranakashipu on his lap, which is neither under the ground nor on the ground nor above the ground, and tears him apart with his fangs, which are neither weapons nor tools.  Thus Hiranakashipu, who thought he was immortal, is killed, his arrogance shattered.

Image 2.9 - Narasimha with Lakshmi 


Vishnu as neither man nor lion indicates divinity makes room for creatures who cannot be easily classified.

Narasimha is a fearsome and bloodthirsty form of Vishnu, whose violence is tamed by the presence of his gentle consort, Lakshmi.

The upraised palm means do not be afraid.

The consort is always placed on the left, the side close to the heart.

The downward palm means, 'I will give what is destined or desired.

Narasimha with Lakshmi


       The son adores Narayan but also fears this creature who drinks his father's blood.  image 2.9 shows a more gentle form of Narasimha.  One fears that Narasimha in his violent form will destroy the world; so Goddess Lakshmi appears before Narasimha and reminds him of his responsibility to protect her and calms him down.  This image shows Narasimha with Lakshmi, the guardian and his ward, God and Goddess, adored by Prahalad and four gods who perhaps represent the four books of Vedic wisdom, or perhaps the four goals of worldly life: dharma, artha, kama and moksha.

       Prahalad's father is described as a demon, but the son is not considered one.  Both are Asuras, but contrary to popular belief, all Asuras are not demons.  It is intent and behaviour that can make anyone a demon.  Hiranakashipu is arrogant and this arrogance comes from power.  In arrogance, he assumes that he has knowledge of all possibilities.  He knows everything.  But the wise know that the human mind is finite and cannot hold the infinite expressions of the cosmos.  Like Narasimha, who is neither this nor that, or perhaps both, there is much in the world awaiting discovery.

Narasimha sits on the coiled serpent


       Narasimha sits on the coiled serpent, representing the stillness that is required to sense the presence of consciousness.  Here, God is united with the Goddess, spirit and matter are together.  Behind them is the split pillar, the split of matter and spirit, the split between our flesh and our soul.

Image 2.10 - Arjuna seeking Krishna's advice

Krishna, visualised here as Vishnu, represents the wise soul, that is witness to our confusions.

Arjuna represents our confused mind.

Arjuna seeking Krishna's advice


      Image 2.10 is a visualisation of a scene prior to the narration of the Bhagavad Gita, one of Hinduism's most popular religious texts.  Literally translated, 'Bhagavd Gita,'  means the Song of God.  Here God takes the form of Krishna, who serves as a charioteer to Arjuna, a great archer who is suddenly confronted with the awesome reality before him - he is about to begin a war over property and principles in which he will be expected to kill family and friends.  And God is asking him to do it.  How can he?  Why?  He refuses to fight.  He turns to Krishna for guidance and, in response, Krishna speaks to him words that enlighten and empower him.

       Krishna explains to Arjuna the nature of the world.  He draws attention to the soul that is imperishable and matter that is ever-transforming, hence giving the impression of birth and death.  Things die only to be born again.  What then is the purpose of life?  The Gita reveals that matter exists to draw our attention to the soul to make us aware of that permanent, unchanging principle.  And to realise it, we have to negotiate our way through life, through society.  We have to function as members of society, do our duties, fight for what we believe is right, and surrender to the wisdom of the cosmos.  Life is about living, about participating, and escape is not an option.  Actions born of desire, we are told, entrap us in a never-ending wheel of birth and death.  Escape is possible if one is willing to discipline the mind, rein in desire and act dispassionately, doing one's duty, stripped of any desire to dominate the world or indulge the ego.

The presence of all gods and goddess in one body indicates that the whole cosmos is ultimately a single organism - everything is contained within God.


Multiple heads indicate multiple manifestations of the divine.

Image 2.11 - The Cosmic form of Krishna
The calm and youthful face indicates wisdom that helps overpower any calamity.


Multiple hands indicate the many forces that govern the cosmos.


Fire emerging from the many mouths indicates destruction, thus suggesting that even the worst of events have their roots in God.

The presence of several weapons indicates the many tools available to overcome primal insecurity.

Cosmic form of Krishna


      Enlightened by Krishna, Arjuna asks him to show his true form, for it is a very evident that Krishna is no ordinary mortal.  Krishna then shows his viswarupa or cosmic form also known as the all-inclusive expansive being that he is.  This is depicted in Image 2.11.  Arjuna observes that within Krishna are all the gods and all the demons and all the sages and all the hermits.  He is the sun and the moon, he is the stars and the planets, he is the rivers and the fires.  He is what was, is and will be.  He is all forms.  He is all directions.  He is all that is possible and all that is impossible.  Arjuna sees Krishna exhaling life and inhaling death.  Whole worlds emerge from his mouth and are ground by his teeth.

      This is the Hindu idea of God.  God is all things.  He is in all things.  He is outside all things.  He is She.  He and She are also it.  That which is animate and that which is inanimate - everything is God.  The human, the subhuman, the superhuman -- all are God.  God is formless and is expressed through all forms.  All that we see is God.  All that we sense is God.  God is not out there.  He is within us and around us.  He is all there is.  We are the observers who create the observation that is life.  We are thus not separate from our lives.  We and our world are the same.  This is Advaita or non-duality of being.

       We are God too -- we just have not discovered the truth of ourselves.  We are limited by our egos, our imperfect understanding of the world, our prejudices and our memories.  We need to break free from all this, from ourselves.  And, according to the Bhagavad Gita, this is possible only when we live life, struggle with the rules, the moralities and the ethics that the world subscribes to.

Image 2.12

Ayyappa a guardian god from Kerala, was created when Shiva united with Vishnu, the latter having taken the form of woman, Mohini.  He represents the union of hermit and householder traditions.  So while he is celibate like Shiva and demands celibacy from his worshippers, he also protects the world of householders just like Vishnu.

Krishna, a mortal incarnation of Vishnu, who walks the earth as kingmaker in the third quarter of the world's lifecycle.

Asuras and Rakshas also adore Narayan,  indicating that in Hindu lore they may be villains but they still play a valid and vital role in the cosmos.

The four Sanatana Kumars are pre-pubescent boys symbolising the mind that is pure and uncorrupted by experiences and memories.

VISHNU, the awakened Narayan, with his two wives, Bhu-devi and Sri-devi, who represents the tangible and intangible forms of wealth.

JAY & VIJAY are the ferocious door keepers of Vishnu's abode who turn away the unworthy.

RAM, a mortal incarnation of Vishnu, who walks the earth as King in the second quarter of the world's life cycle.

      And when w die, we should know that we will be reborn.  There will be another life, another chance to open our eyes and look at a new world with a new set of eyes.  With this new set of eyes will come a new way of looking at things, new rule and new prejudices.  Once again the lotus of Brahma will rise from Narayan's navel as in Image 2.12.  Once again, Lakshmi will demand attention and protection.  Once again Narad and Tumburu will fight to process her and Narad will stir us into jealousy and outrage.  We will struggle to maintain order, flying around on Garuda and disciplining ourselves like Hanuman: a new awakening and a new world order, another chance to get it right.

      Since the Hindu world is going through cycles of life and death, this life is but one of the many lives to lead.  There is therefore no dominant urge to be a hero.  There is a no sense of urgency.  And since all things depend on points of view, there is a lack of certainty in all things.  All things are relative and contextual and impermanent.  One yearns for that which is absolute, permanent and independent of all contexts.  That is the soul -- the soul whose sleep leads to destruction and whose awakening leads to creation, whose observation gives shape to the world.  The discovery of the one who creates the world, that observer, is the purpose of life.



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Source: Excerpts from the book on 7 Secrets from Hindu Calendar Art by Devdutt Pattnaik.
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