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14 January, 2019

Hindu Tradition of Piercing Baby's Ears



The Origin and Early History



     Boring of different limbs for wearing ornaments is current among savage peoples all over the world.  So its origin is very ancient.  But even when civilization progressed, ornamentation continued, though it was refined.  In the case of boring ears, it was undoubtedly ornamental in its origin, but later on it proved to be useful, and for emphasizing its necessity, it was given a religious coloring.  Ears of a child should be bore for protection [from diseases] and decoration.  It is explicitly prescribes the boring of ears for preventing hydrocele and hernia.  Thus, it was a precaution taken early in life, so that the chances of the above diseases may be minimised.

      The cause of the late inclusion of this ceremony in the list of the Samskaras is that its original purpose was decorative and there was the absence of any religious idea associated with it.  It was only in very wide sense that it entered the holy precincts of the Samskaras.

      But there is one hymn in the Atharvaveda which refers to ear-boring. 

The Age and Time of Performance



       This ceremony was performed on the tenth, the twelfth or the sixteenth day after the bird of the child according to Brhaspati.

       Garga regards the sixth, the seventh, the eighth or the twelfth month as suitable periods.  In the opinion of Sripati, the Karnavedha ceremony should be performed before teeth of the child come out, and while it is still creeping on the lap of the mother.  The Katyama Sutra, however, prescribes the proper time of performing the ceremony in the third or fifth year of the child.  



       The idea of underlying the early age was that the boring would be easier and less troublesome to the child.  Taking physical facility into consideration Susruta prefers the sixth or the seventh month.  At present it is performed with the Upanayana.

The Performer



       In the opinion of the Katyayana Sutra father performed the ceremony, but it is silent as to who should bore the ears.  According to Susruta a surgeon should pierce the ears.  But Sripati, a medieval writer, allows this privilege to a professional needle-maker, more often a goldsmith.  Susruta was more reasonable in his prescription than Sripati.  The goldsmith, however, has acquired a hereditary experience and in the majority of cases it is he who is invited to bore the ears.

The Types of Needle



       The types of needle with which the ears were bored are also determined by writers on ritual.  "Gold needle lends elegance, but one can use silver or even iron needle according to his means."  Description was made according to the caste of the child.  "The needle for a prince should be made of gold, that of a Brahmana and a Vaisya made of silver and that of a Sudra made of iron.  The basis of this differential treatment was economic.

A Compulsory Ceremony



       When the Karnavedha assumed a religious garb, its performance became compulsory and its omission was regarded a sin.  The defaulter was thought to be fallen from his status.  Devala, a medieval Smritiwriter, says, "All the accumulated merits disappear at the sight of a brahmana, through whose ear-holes do not pass the rays of the Sun.  No gift should be given to him in the Sraddha ceremonies.  If one gives, he becomes an Asura or demon.


The Ceremonies



       The Karnavedha ceremony described in the Katyayana Sutra is very simple.  On an auspicious day, the ceremony was performed in the first half of the day.  the child was seated facing towards east and given some sweet-meats.  Then the right ear was bored with the verse "May we hear auspicious things through ears etc., and the left ear with the verse, "Vaksyanti etc.,"  The ceremony closed with the feasting of the Brahmanas.


Susruta on the Boring of Ears



     
       Susruta gives a very cautious procedure of the ceremony.  He says that the ceremony should be performed in the sixth or seventh month, in the bright half and on an auspicious day.  After the preliminaries the child should be put on the lap of the mother or the nurse.  Then the child should be fondled and persuaded by means of toys.  Now the surgeon should pull the ears with his left hand and bore them slowly at the natural holes which are visible in the sunlight.  If the ears are tender they should be pierced with a needle, if stiff with a probe.  After boring oil should be applied to the ears by means of a cotton thread or bougie.

Later Phases



       The later writers on the Samsakra introduced more religious elements and social mirth in the ceremony.  On the day of performance Kesava [Lord Visnu], Hara [Siva], Brahma, the sun, the moon, deities of quarters, Nasatyas, Sarasvati the Brahmanas and cows were worshipped.  The Teacher of the family was decorated and offered a seat.  Then the nurse, wearing white garment, brought the child well-adorned, with its painted with red powder.  The child was persuaded and kept still.  The surgeon pierced the ears in one stroke but very lightly.  The right ear of the boy and the left of the left of the girl was bored first.  In the end, presents were given to the Brahmans, astrologers and the surgeon.  Ladies, friends, the Brahmans and relatives were paid respect and entertained.

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Excerpts from the Book on "HINDU SAMSKARAS" by Rajbali Pandey


02 September, 2018

In Indian culture..Why do we celebrate Krishna Janmashtami?



In Indian culture..Why do we celebrate Krishna Janmashtami?


      Bhagwan Shri Krishna incarnated five thousand years ago, at the end of cosmic phase, known as Dwapar-yug.


Purpose of Incarnation


      In the Gita [4/7.8], Shri Krishna proclaims:

     "Yada yada hi dharmasya glanir bhavati Bharat...
     ... Dharma sansthapanarthaya sambhavami yuge yuge."

      i.e., I incarnate whenever Dharma declines and evil predominates, to establish Dharma Dharma and vanquish evil.


       In the Bhavishyottar Puran Shri Krishna himself extols the celebration of Janmashtami to Yudhishtir, the eldest of the five Pandavas.



       He incarnated in Mathura (Uttar Pradesh) to vanquish evil elements who were harassing pious people.  His second reason was to fulfill the pledge he gave to Vasudev and Devki.  When they married, Kamsa heard a divine proclamation that the couple's eighth son would be his nemesis.  To obviate this, Kamsa imprisoned the couple and killed the first seven sons born to Devki.  When Shri Krishna was born, Vasudev placed him in a cradle.  The prison's doors opened miraculously and he forded the river Yamuna with the divine child.  Thus, Shri Krishna survived.  



       During childhood he eradicated evil elements such as Bakasur, Aghasur, Putna, Kaliyanag and Kamsa.  Later he removed mighty evil kings from all over Bharat who were causing anarchy and inflicting needles misery on people.  By this mission, he fulfilled Paramatma's prophecy to remove evil and established dharma and peace in the whole of Bharat and reunified it.


Sentiments


       The first important sentiment of Janmashtami is to observe dharma.  Since humans are all imprisoned in samsar, Paramatma incarnates in this 'prison' with man, establishes dharma and redeems him from maya.  Man can transend maya only if he seeks Paramatma's aid, as did Arjun during the battle of Mahabharat.  As Bhagawan Ved Vyas proclaims:

       'Yato Krishnastato dharmaha, yato dharmastato jayaha."
       - Mahabharat Critical edition 13/153/39, 6/62/34

      i.e., Where there is Krishna, there is dhama,  where there is dharma, there is victory.  



       Since Duryodhan, leader of the Kauravas, did not observe dharma, he did not have Krishna.  No Krishna, no victory.


Sharanagati [Refuge]

   
      During the battle, Shri Krishna imparted divine knowledge to convince the relucatant Arjuna to fight.  This divine knowledge is known as Bhagavad Gita.  In the Bhagavad Gita 18/66 the following slok [18/66] as its essence:

       Sarva dharman parityajya maekam sharanam vraja,
       aham twa sarvapapebhyo mokshishyami ma shuchaha.

       i.e., O Arjun!  Forsake all your personal beliefs and surrender to me.  Do not lament for I shall deliver you free from all sins.

       Therefore, the true spirit of Janmashtami is for devotees to implicitly surrender at Paramatma's lotus - feet, while staunchly observing dharma.




Ideal Devotee


       Shri Krishna stipulates:
       "Brahma bhutaha prasannatma na shochati na kankshati,
       Samaha sarveshu bhuteshu madbhaktim labhate param." - Bhagavad Gita 18/54

       i.e., One who becomes brahma-rup and offers devotion to Parabrahma, forever remains blissful and attains the highest glory of Paramatma.  'Brahma-rup' simply means to become an ideal devotee, like Arjun, who represents Nar, and to then worship Krishna - Narayan.  Hence, the murtis of Nar-Narayan.


       Similarly, Shri Krishna played the Maha Ras (divine stick dance) with the Gopis of Vrundavan because of their unalloyed devotion to him.  Radha was the foremost among them.  Therefore, devotees should develop Gopi-bhav, to become Radha-rup (like Radha) to worship Shri Krishna.  Hence, the murtis of Radha-Krishna are consecrated in mandirs.  This establishes the eternal principle of worshipping Paramatma, by becoming Radha-rup, like His ideal devotee; to become Akshar-rup to worship Purushottam.  Hence to become Akshar-rup or gunatit, Shri Krishna has given two chapters in the Bhagavad Gita, aksharbrahma Yoga [Chapter 8] and Purushottam Yoga [Chapter 15].







       In addition to such surrenderance, how should an aspirant strive to attain the exalted state of the Gopis - Gopi-bhav - to please Paramatma?  Shri Krishna himelf provides the answer in the Bhagavatam.



Interesting age-related figures about Shri Krishna.

  • Shri Krishna was only a child of about 12 when he played Maha Ras with the Gopis, prior to leaving for Mathura at the age of 13.
  • He first met Pandavas prior to the battle, at the age of 83.
  • He always did pranams to Yudhishthir [aged 87] and Bhim [aged 86] since they were older than him.
  • When he attended Draupadi's svayamvar, he brought along with him, his son Samb and Pradyumna, and the latter's son Anirudh, from Dwarka.
  • He was 125 years old at his demise [Bhagavatam 11/625].

Such longevity was common then.  Even 2.5 millennia later, when the Greeks arrived around 300-200 BCE, a chronicler [Arian] noted "many Hindus aged 140 years olds and many more who are 100!"




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Source: Excerpts from the book Hindu Festivals written by Sadhu Mukundcharandas
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08 August, 2018

Durvasa: The Angry Sage



Durvasa:

       Many have a stereotyped idea of a Maharshi, a great sage.  But, there have always been radical types, and Durvasa heads the list.  Despite his anger and curses, in the final analysis his anger turned into out to be beneficial to the world.  Being an anti-hero is not easy, yet his name Durvasa, which means difficult to live, has come to remain in people's hearts, and he is remembered with fondness.


Durvasa and Duryodhana

       His well-known anger was once tactfully neutralized by the Lord.  Durvasa, along with his disciples, was offered hospitality for a few days by Duryodhana.  (Durvasa's disciples must have been like their guru).  Pleased, Durvasa wanted to grant Duryodhana a boon.  The latter requested the sage and his numerous disciples to visit the Pandavas in their exile after they had finished their meal.  The intention was obvious.  Durvasa and his disciples did so and were met by Yudhisthira, who welcomed the sage and his disciples.  On being told they would have their meal there, Yudhisthira became pleased and requested them to finish their bath in the Ganga and then sit down for food.

Akshaya-patram



       Draupadi was in a quandary.  She had received a vessel as gift from the sun god that would produce any amount of food during the day but would empty only after she had her meal, which she did after everyone else had finished.  Yudhisthira was not aware that she had taken her meal from the akshaya-patra and it would not produce any more food for the day.  Now if Durvasa and his disciples were dishonoured, the Pandavas would not only incur demerit but would invite his wrath.  Draupadi prayed to Shri Krishna to extricate them from this terrible predicament.  the Lord appeared and asked her to bring the akshaya-patra found a small bit of green sticking to its side, and ate it.  As he felt satisfied with it, simultaneously and miraculously, Durvasa and his numerous disciples felt full.

       Shri Krishna then asked Sahadeva, one of the Pandava brothers, to invite the sage and his entourage for their meal.  On the bank of the river, Durvasa was dumbfounded.  He wondered how Draupadi could have cooked so quickly for so many.  What would Yudhisthira say when told they did not want to eat because they were already full?  Knowing the Pandavas to be close to Shri Krishna and not wanting to invite further trouble, Durvasa and his disciples quietly fled the place.

Durvasa and Kunti 


       If Durvasa got easily incensed, he was easily pleased too.  The Pandavas were born with different divine elements because their mother Kunti, as a maiden, had served Durvasa during one of his peregrinations.  the sage was so pleased he had given her five mantras so that she could use them to obtain divine children.


Birth of Durvasa

      Durvasa's anger was natural. Once Lord Shiva was angry during a war with the destructive Tripuras and shot an arrow.  The arrow destroyed the enemies of the gods and afterwards was transformed into a child, who came and sat in Shiva's lap.  This child was Durvasa.  

Story of Durvasa's origin:



      The Indian mind is not satisfied with just one story about Durvasa's origin.  The most popular one is that Shiva once quarreled with Brahma.  when Shiva became angry self, all the gods and demons fled in fear.  Parvati, Shiva's consort, was also terrified and said, 'Durvasam bhavati me'.  It is difficult for me to live here.  Shiva had to transfer is anger.  The opportunity came as a result of granting a boon, in the form of a son, to Anasuya, consort of the sage Atri.  Thus, their third child was named as Durvasa and he embodied Shiva's anger.



       When in his element, Durvasa visited Dvaraka and was a guest of Shri Krishna and his consort Rukmini.  He regularly pressed demands which were similingly met with alacrity.  He once asked the royalcouple to cook payasam, pudding, and went so far as to make Shri Krishna smear it on himself.  The Lord did so except on his feet.  He then yoked Shri Krishna and Rukmini to his chariot and even (O Lord!) goaded them with a whip.  With a sudden change of heart he then blessed both of them and and left.  Shri Krishna's body became invincible due to the payasam that he had smeared on himself; but his feet, which had been left out, were vulnerable.  Later, at the end of his life, he died because of an arrow shot inadvertently at his feet when he was resting.

       Making the Lord smear himself with food was not a new thing to Durvasa.  He had done it to himself.  In order to test a sage with frugal habits at Kurukshetra, Durvasa demanded food.  Eating a part of it, he smeared his body with the rest.  The starving Mudgala did not get agitated even when this went on for a week.  Durvasa then blessed Mudgala for his fortitude and righteousness.

       Durvasa once officiated as a priest in a royal Yajna, a Vedic sacrifice.  But the officiating priests left before it was finished, because it was unsuually long and their eyes smarted from the smoke.  The king, Shvetaki, then performed austerities in the Himalayas in order to find a solution to the problem of his uncompleted sacrifice.  Shiva was pleased with the king's austerities and deputed Durvasa to finish the sacrifice, which took him twelve years.

       It does not matter that the benevolent and kindly side of Maharshi Durvasa has not been highlighted in the Purnas, because sages are supposed to be kind and benevolent.  What we get out of reading about him is that Durvasa managed to rise above his anger.

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Excerpts from the Book titled Ancient Sages written by Swami Satyamayananda
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18 February, 2018

SUPRABHATAM



Suprabhatam: First hymn sung every morning in the Tirumala Temple


     'Suprabhatam'is the first and foremost pre-dawn seva performed in the temple of Lord Venkateswara.  This ritual is performed at Sayana Mandapam inside sanctum sanctorum to wake-up the Lord from His celestial sleep, amidst the rhythmic chanting of vedic hymns.  Every day in the early hours, acharyapurushas the hymns while on the other hand, a descendant of Tallapaka Annamacharya sings some songs penned by the great saint poet in praise of Lord Venkateswara at the first corridor of the sanctum at the same time. 



       Suprabhatam is, perhaps, one of the most popular prayers in Hindu temples in India.  It is also one of its kind and is identified with Lord Sri Venkateswara.  It is the first hymn to be used sung every morning in tirumala temple.



      In essence, it is an affectionate entreaty to the God to wake-up at dawn.  It wishes the God an auspicious morning and that it may be good for the divine work that awaits Him.  The opening hymn is addressed to Lord Sri Rama, as the son of Kaushalya.  Lord Sri Rama, like Lord Sri Venkateswara, is an avatar Lord Vishnu.  This hymn is often chanted at the residences of the devotees of Lord Sri Venkateswara at dawn or early in morning.  Owing to the length of the prayer, its audio renditions are equally popular.



Sri Venkateswara Suprabhatham with Lyrics

1. 
kausalya supraja rama!
purva sandhya pravartate,
uttistha nara sardula!
kartavyam daivam ahnikam.
2.
uttisthottistha govinda!
uttistha garudadhvaja!
uttistha kamalakanta!
trailokyam mangalam kuru.
3
matas samasta jagatam madhukaitabhareh
vaksoviharini manohara divyamurte,
srisvamini sritajanapriya donasile
srivenkatesa dayite tava suprabhatam.
4.
tava suprabhatam aravinda locane
bhavatu prasannamukha candra mandale,
vidhi sankarendravanitabhir arcite
vrsasailanatha dayite dayanidhe.
5.
atryadi sapta rsayas samupasya sandhyam
akasa sindhu kamalani manoharani,
adaya padayugam arcayitum prapannah
sesadri sekhara vibho! tava suprabhatam.
6.
pancananabjabhava sanmukha vasavadyah
traivikramadi caritam vibudhahu stuvanti,
bhasapatih pathati vasara suddhim arat
sesadri sekhara vibho tava suprabhatam
7
isat praphulla sarasiruha narikela
puga drumadi sumanohara palikanam,
avati mandam anilah saha divyagandhaih
sesadri sekhara vibho tava suprabhatam.
8.
unmilya netra yugam uttamapanjarasthah
patravasista kadali phala payasani,
bhuktva salilam atha kelisukah pathanti
sesadri sekhara vibho tava suprabhatam.
9.
tantri prakarsa madhura svanaya vipancya
gayaty ananta caritam tava narado'pi,
bhasasamagram asakrtkaracara ramyam
sesadri sekhara vibho tava suprabhatam.
10.
bhrngavalli ca makaranda resanuviddha
jhankara gita ninadaih saha sevanaya,
nirayaty upanta sarasikamalodarebhyah
sesadri sekhara vibho tava suprabhatam.
11.
yosaganena vara dadhni vimathyamane
ghosalayesu dadhi manthana tivra ghosah,
rosat kalim vadadhate kakubhas ca kumbhah
sesadri sekhara vibho tava suprabhatam.
12.
padmesa mitra satapatra gatalivargah
hartum sriyam kuvalayasya nijanga laksmya,
bheri ninadam iva bibhrati tivra nadam
sesadri sekhara vibho tava suprabhatam.
13.
srimann abhista varadakhila loka bandho
sri srinivasa jagadeka dayaikasindho,
sri devata grha bhujantara divyamurte!
sri venkatacalapate tava suprabhatam.
14.
sri svami puskarinikaplava nirmalangah
sreyoi'rthino hara virinnnnnnnnnadanadyah,
dvare vasanti varavetra hatottamangah,
dvare vasanti varavetra hatottamangah,
sri venkatacalapate tava suprabhatam.
15. 
sri sesasila garduacala venkatadri
narayanadri vrsabhadri vrsater anisam vadanti
sri venkatacalapate tava suprabhatam.
16.
sevaparah siva suresa krsanu dharma
rakso'mbunatha pavamana dhanadhinathah,
badhanjali pravilasan nija sirsa desah
sri venkatacalapate tava suprabhatam.
17.
dhatisu te vihagaraja mrgadhiraja
nagadhiraja gajaraja hayadhirajah,
svasvadhikara mahimadikam arthayante
sri venkatachalapate tava suprabhatam.
18. 
suryendu bhauma budha venkpati kavya sauri
svarbhanu ketu divisat parisat pradhanah,
tvaddasa dasa caramavadhi dasa dasah
sri venkatacalapate tavam suprabhatam.
19.
tvat padadhuli bharita sphuritottamangah
svargapavarga nrapeksa nijantarangah,
kalpagamakalanayakulatam labhante
sri venkatachalapate tava suprabhatam.
20.
tvad gopuragra sikharani niriksamanah
svargapavarga padavim paramam srayantah,
martya manusya bhuvane matim asrayante
sri venkatachalapate tava suprabhatam.
21.
sri bhumi nayaka dayadi gunamrtabdhe!
devadhideva jagadekasaranyamurte,
srimann ananta garduadibhir arcitanghre!
sri venkatachalapate tava suprabhatam.
22.
sri padmanabha purusottama vasudeva
vaikunta madhava janardana cakrapane,
srivatsa cihna saranagata parijata
sri venkatatachalapate tava suprabhatam.
23.
kandarpa darpa hara sundara divya murte!
kanta kucamburuha kutmala loladrste,
kalyana nirmala gunakara divyakirte!
sri venkatachalapate tava suprabhatam.
24.
minakrte kamatha kola nrsimha varnin
svamin parasvathatapodhana ramachandra,
sesamsarama yadunandana kalkirupa
sri venkatachalapate tava suprabhatam.
25.
ela lavanga ghanasara sugandhi tirtham
divyam viyat sariti hema ghatesu purnam,
dhrtva'dya vaidika sikhamanayah prahrstah
tisthanti venkatapate tava suprabahatam.
26.
bhasvan udeti vikacani saroruhani
sampurayanti ninadaih kakubho vihangah,
sri vaisnavah satatam arthitamangalas te
dhamasrayanti tava venkata suprabhatham.
27.
brabmadayas suravaras samaharsayas te
santas sanadana mukhastv atha yogivaryah,
dhamantike tava hi mangala vastu hastah
sri venkatachalapate tava suprabhatam.
28.
laksmi nivasa! niravadya gunaika sindho!
samsara sagara samuttaranaika seto!
vedanta vedya nijavaibhava bhaktabhogya!
sri venkatachalapate tava suprabhatam.
29.
itham vrsacalapater iha suprabhatam
ye manavah pratidinam pathitum pravrttah,
tesam prabhatasamaye smrtir anga bhajam
prajam parartha sulabham paramam prasute.

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Source:
Excerpts from the book on "Tirupati" by Kota Neelima.
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31 March, 2017

RAMA AND KRISHNA - A comparison in symbology



       "Vedas deal with Dharma in two categories, one for the path of Pravruti (action in mundane life) and the other for the path of Nivruti (redemption from the thralldom of Samsara).  These are respectively symbolized by the lives of the two Avatars, Rama and Krishna.  The paths of their lives appear to be diametrically opposite to each other; and there is an eloquent lesson in that.  A comparative study of the main incidents in the lives of the two great incarnations is very revealing and extremely rewarding and interesting.  There are so many incidents in their lives which are in striking contrast.  



       A few of  them are enumerated here under: these are not exhaustive, but only illustrative.  Those who search may find many more.  It is said, "Live as Rama lived, and learn what Krishna taught."

PARENTS


       Rama was born of parents who had to issues for long, were pinning for that, and who had undergone a lot of penance to beget children, while Krishna was the eighth child of his parents who, for that reason and due to the circumstances in which they were placed, were not at all eager to get issues.

BIRTH


      Rama was born in broad day light, in a palace, as the eldest Krishna was born in the middle of the night in a prison, and was the youngest.

COMPLEXION



     Rama was very fair in complexion, while Krishna was dark.


LIFE


       Rama enjoyed life in the palace as a prince till his twelfth year, while the life of Krishna till his twelfth year was full of dangers and fights for his survival, as Kamsa had employed so many emissaries and stratagems to do away with this child. 

VICTIM



       The first victim of Rama was a woman (Tataka) while the first victim of Krishna in regular combat was a man (Kamsa).

       Rama's life was Dharma-oriented (Ramo vigrahavan Dharma); while that of Krishna was Karma - oriented.  Krishna even said "Sarva Dharmam Parityajaya".

WIFE



       Rama was a man of "Eka Patni Vrata" (devoted only to one woman all his life) while Krishna had "Bahu Bharyatwa", a population of wives, so to say, as the story goes.

BROTHER



       Lakshmana, the incarnation of Ananta, was a younger brother of Rama.  The same Ananta in his subsequent incarnation as Bala Rama was the elder brother of Krishna.



SURYA'S SON



       Rama protected the son of Surya (Sugriva) and killed the son of Indra (Vali) while Krishna did just the opposite.  He protected the son of Indra (Arjuna) and killed (caused to be killed) the son of Surya (Karna).


POISON


      Rama killed Tataka with a poisoned arrow, that is, he emitted poison.  Krishna absorbed poison and killed Putana.

DELUSION


       Rama was deluded for a time (fainted) in his war with Ravana.  Krishna brought back the deluded man, Arjuna, to his full faculties and made him fight to victory.

WIFE


       Rama's wife was forcibly taken by Ravana.  Krishna forcibly took away Rukmini and married her. 

       Rama was the cause for mutilating and deforming a woman, Soorp[anakha.  Krishna made the deformed woman, Kubja, straight and beautiful.

KING


       Rama was a king in his own right.  Krishna was never a king himself, but was a King-maker.

INCARNATION


       Rama never claimed that he was an incarnation.  In fact, he had to be reminded of that at the last stage in his life.  Krishna announced that he was the Lord Himself as soon as He was born.

DYNASTY


       Rama belonged to the Solar dynasty.  Krishna belonged to the Lunar dynasty - the Yadava Branch.

PARAMATMA


       Rama represented the perfected Jivatman - (Ramanate asmin Yoginaha iti Rama:), while Krishna was the Paramatman - the God (Krishnaat Krishna).  

       "Ramayana" means the "goings of Rama".  He was leading to the goal.  It can also mean "going to Rama", just as "Samudrayan" in the case of the river.  Whereas in the case of Krishna, he was the goal.  He was always calling unto Himself: "Mamekam saranam vraja".

BATTLE



       Rama fought the great battle himself: (Jivatman fighting the battle of samsara).  Krishna was the "Sakshi" in the great battle, While others fought.

CITY


       Rama left behind a prosperous Ayodhya, while Krishna had his city (Dwarka) and his entire Yadava race destroyed before he left.

       Even the names of the cities in which they lived held out opposite meanings.  "Ayodhya" means a city which is not vulnerable to any kind of wars, which should mean the mental state of the "sthithaprajna", while 'Dwarka', Krishna's city meant the "Door that opens into the Perfect State", one being the Means and the other the End.


WEEPING


       While Rama had to weep many a time in his life, Krishna lived throughout as a personification of cheerfulness.  Krishna's eyes became moist only once in his whole life; that was when his childhood friend Sudama called on him.

AVATAR



       Krishna is accepted as the Poorna-avatara.  Rama has not been accepted as such.     

WIFE


       Even with only one wife, Rama could not lead a happy and harmonious life with her, while Krishna, with an army of wives, could lead the happiest of lives with no complaint from any of those women that she had been neglected even for one evening.


FOREST



      While in the forest, Rama goes in search of the golden deer to satisfy his wife, meaning that he went in search of Kanchan to satisfy his Kamini.  In the attempt he lost both the Kamini and the Kanchan.  Krishna went into the forest in search of the jewel "Syamamantaka" and gets also two Kaminis in the bargain - namely Satyabhama and Jambavati, that is Krishna gains both Kamini and Kanchan at one shot.


BOW



       With the bow and the quiver always hanging on his shoulders, Rama had a warrior's life throughout, upholding and protecting Dharma.  Krishna went with a flute in his hands enchanting the world around with his divine music.  He too was protecting the righteous and upholding Dharma. While the former did it with his prowess, the latter did it with love.


ARMS


       Rama was ready to take-up arms whenever required.  Krishna refused to take up arms even when everybody expected him to do so.

       Sita was lost, Rama wandered in search of her, weeping and enquiring of even inanimate objects whether they had seen her.  On the other hand, it was Krishna who had been lost, and the Gopis in Brindavan did exactly the same thing as Rama did in Ramayana.


FOREST


      Rama had to go to the forest to fulfill the purpose of his incarnation, whereas for Krishna his mission took him to palaces frequently.

ENEMIES



       Rama was insulted by his enemy in so far as his wife was kidnapped by his enemy, while we see that Krishna was respected by his enemies (the Kauravas) when he entered their Durbar.

SON



       Ram's sons lived independently of him and were finally crowned by Rama himself before his departure.  Krishna's sons and grandsons lived under his shadow throughout, but where annihilated by the grand sire himself before his departure.

BAD NAME



       Rama got a bad name on account of Sita, for which he sent her to the forest when she was in an advanced state of pregnancy.  Krishna got a bad name, not on account of a woman but a jewel called Syamantaka.  He went to the forest in search of the jewel to vindicate himself and ultimately got the jewel and two women in the bargain.

SURNAME




       Rama's name is chanted as "Sitaram" prefixed with that of Sita, his legally wedded wife, whereas, in the case of Krishna, we chant his name as "Radha - Krshna" prefixing his name not with any of his legally wedded wives, but with that of another man's wife, simply on the basis of devotion.




       To crown all these, we find a very interesting fact when we compare the Ramayana and the Bhagavad Geeta - which is the essence of the Mahabharata.  They appear to approach the subject from exactly opposite directions.  In Ramayana, Valmiki narrates to Sage Narda all the qualities of a "Sthithaprajna" and asks him whether there is any person living who satisfies that description, for which Narada answers that Rama, the Scion of the Ikshawaku dynasty, is a standing example for that.  But, when we come to the Bhgavad Geeta, Arjuna does just the opposite.  He asks the Lord as to what qualities  distinguish a "Sthithaprajna", and the Lord recounts those qualities.  The purpose is the same, but the approaches are from diametrically opposite directions.

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Source: Excerpts from the book on SYMBOLISM IN HINDUISM published by Chinmaynanda Mission
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